31.8.11

and the bride wore lavender


I feel, in a strange way, that I have grown up with Sofia Coppola.  I have all of her films in my collection,  and feel that her presence and aesthetic both personally and professionally has been reliable and consistent or, at least, consistent with my own! 

I was all smiles when I heard of her marriage to Thomas Mars (Phoenix front man and father of her daughters)  and thought her choice to wed in custom-made lilac chiffon Alaïa gown was a delight!

23.8.11

exposure

the weather in sydney is crazy at the moment.
it has inspired me to sit more, and ponder. thinking about atmosphere of place, exposure, light and action.







19.8.11

if I had to have a pet...

I think I'd like...

a baby deer

 or a snow bunny!

or a baby hedgehog!!

Mineral House by Yasuhiro Yamashita





The design of this house is beautiful and intriguing.  The faceted design appears to be not redundant, but allowing the required spatial dynamics of the art of living to take place.  Wouldn't it be a delight to inhabit such a space?

17.8.11

business tax is hard!


This is the first year I've worked freelance with my ABN, trying my best to do everything by the books. I felt like I had been hit in the head with a brick last night! Determined not to have to outsource, I attempted to do it myself. I really hope I did it right! Very hard!

16.8.11

shoppers!

I have a frustrating habit of getting in my head the EXACT item that I want, be it an item of clothing, jewellery, notebook...or any number of other things! Of course, it seems from my experience almost certain that this item is NOT available for purchase in line with my exact specifications (often sketched in my notebook, and then broken down architecturally into a series of plans, sections and elevations!). Sadly, there comes only three real options:
1) Make it myself
(most common and stress-relieving scenario, as I am able to create exactly what I want! Although often this is not possible if I do not have access to materials/equipment necessary for production...)
2) Commision someone else to create item for me
(I would almost never do this following too many disappointing experiences in the past. This is also often an expensive route considering the uncertaintly of the outcome)
3) Settle for something simillar that is available in the current market place
(In recent times this has been, sadly, a common occurence. It is often shortly followed by regret and further disappointment that said item is not EXACTLY perfect, and then the cycle repeats as I continue searching for something more perfect than the last misformed item!)

Currently in my head I have the idea of the PERFECT leather shopper. However, I have not been able to track one like it down anywhere so far. In attempts to fall under category 1, and construct it myself (hey, I did leatherwork as a Friday craft session in year one!) I tried to track down a hide while in Melbourne last weekend and couldn't find any that were what I wanted. Instead, I have jumped to category 3 - risky business! and have tracked down three possibly suitable options...

Rachel Ruddick leather shopper
$380

Kate Sheridan
$419 (Reduced to $196 on ASOS... not a big fan of the exposed zip? Although I could wear it on the inside, which could actually be convenient...)

AND
ASOS Leather Shopper (I know, I know, the colours! The colours?!)
$112

1.8.11

R&R

Last weekend I had some R&R seeing R&R.  That is, some cultural events - Edward Gant's Amazing Feats of Loneliness - at the Sydney theatre company with costumes by one of my favourite designers to watch, ROMANCE was born, and a trip to the art gallery to see the pre-RAPHAELITE exhibition 'The Poetry of Drawing'.

The exhibition showed the most comprehensive exhibition of Pre-Raphaelite drawings ever seen in Australia.  It is definitely one of my facourite periods in art history.  The graphic design of the wallpaper designs was probably my favourite section, it is definitely worth checking out!

The play at the Sydney theatre company was intense but amazing.  Our seats were in the very front row right in front of the stage, so I was able to get a really good look at the costumes.  There was a point in the show where the main character walked infront of me and his cape swept over my head! For a couple of seconds my head was inside the cape - the lining was beautiful!  Directed by Sarah Goodes, her first directing role for the company, the plot went through some pretty full on themes, but the escapism was great fun - entering a world where pimples become pearls and  indian gurus drill into heads with cork stops!